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Art Details
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Description |
Full Image (click to enlarge) |
Detail (click to enlarge) |
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The 20 figures in this work are from all walks of life and span 150 years of American history. Try to find them all on your own or give up and read the key. At 8 feet across this has a lot of details to reveal. |
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Fred Mine
36 x 48
1/1 print on canvas
brown wraps on sides
Price Available
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I was playing with the words "Free Mind" when it occured to swap the last two letters. While I've not heard Frederick Douglass refererred to as Fred before, I feel I've earned the right by creating and arranging over 200 portraits of him, no two the same. In this sense, it is "mine" and it's also a "mine" of FD's to be dug into. |
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Harriet Tubman
30 x 24
1/1 print on canvas
gray wraps on sides
Price Available
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Harriet Tubman was an American hero. Hers was a difficult and arduous path, but one she approached with rare courage and self-sacrifice. Too bad she couldn't meet President Obama. |
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Jesse Owens Represents
24 x 24
1/1 print on canvas gold leaf applied as laurels
red, white and blue wraps on sides
Price Available
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I think of this as iconic ironic. Iconic, because it forshadows our two vanquished combatants, Germany (right) and Japan (left) of WW2. Ironic, because it's an African American representing the US which in the 1968 Olympics, 32 years later, morphed into the famous Black Power fist pump on the medal stand instead of the Reichian heil. |
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Crosstown Traffic Cop
30 x 24
1/1 print on canvas
thick acrylic applied
gray wraps on sides
Price Available
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New York is the Mecca of racial mashups and African Americans weave lots of crucial threads into that tapestry. In this swirl of traffic, safety orange and glove white are the only colors that matter. |
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Ms. Baker
36 x 24
1/1 print on canvas
glass beads applied liberally
ochre wraps on sides
Price Available
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Josephine Baker had a smile that could light up any town. She was the first in a long line of international female stars of African descent. The adopted daughter of former slaves, she was a self-made woman and overcame so much. Too bad she had to move to Europe to be appreciated. |
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Kind of Bluish
36 x 24
1/1 print on canvas
blue wraps on sides
Price Available
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I couldn't resist putting this into a library. I don't think Miles Davis is saying "shhhh." It's more like he's blowing a super cool kiss or pondering his own mysterious nature (or yours). |
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Green Michelle
24 x 24
1/1 print on canvas
green wraps on sides
Price Available
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There are so many portraits of Barack Obama out there, I thought it best to include the strong woman who's been at his side. I made it green in honor of her efforts to make our human world a little more harmonious with Nature. |
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Morton on a Jelly Roll
24 x 36
1/1 print on canvas acrylics applied on top
gray wraps on sides
Price Available
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Jelly Roll Morton was a great musician of the early-20th century. He's one of the inventors of jazz as we know it. He doesn't deserve to be twisted around like this but such is the way of improv. |
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Oprah Sees
48 x 48
1/1 print on canvas
stripes wraps on sides
Price Available
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There is an all-seeing, all-knowing aspect to this which fits well with the myth of Oprah, another self-made African-American woman who overcame much and wields tremendous influence...a King maker. |
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Pharoah Fashizzle
24 x 24
1/1 print on canvas acrylic applied liberally
gray wraps on sides
Price Available
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While messing with variations of Snoop, I stumbled on this one that had a sort of Egyptian twist to it...or maybe a cobra poised to strike with a chronic rhyme. |
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Ya Dang Skippy
48 x 48
1/1 print on canvas heavy peanut butter sienna acrylic touches
sienna wraps on sides
Price Available
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George Washington Carver was born a slave, but his mind was as free as they get. He spent much effort on finding alternative crops to cotton which led to experiments with peanuts and many interesting results, including peanut butter. |
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Masks
30 x 24
1/1 print on canvas
quilted surface
stripes wrap on sides
Price Available
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These are not really American masks in any way. But they are African so they half belong in this exhibit. You can't see the fabric quilting that are in the final work. |
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